After Bodhidharma (Da Mo) passed down his qigong (chi kung) theory at Shaolin Temple around 550 A.D., the Shaolin monks trained the cultivation of Qi, and realized that from this cultivation, muscular power could be enhanced to a tremendous level, which could make martial techniques more powerful and effective. This was the beginning of internal cultivation in the martial arts. According to ancient records, it was only about 50 years later that internal martial art styles based on Da Mo’s internal Qi cultivation were created.
I challenge the above assertions for the reason that Bodhidharma was martial artist and his art is an internal martial art of India going back over 2000 years. The postures of this martial art are found in religious art and bear uncanny similarities to the postures of taiji.
I challenge the assertion that taiji is a defendant of Shaolin art. I also challenge Dr. Yang to participate in the forum, in particular this discussion relating to the history he presents.
There is also a very strong martial theme in Buddhism, many of the symbols of it are Indian weapons, including the sword. Buddha was born a warrior prince, martial arts are associated with Buddhism across the world, often in disguised form in temple dances.
I propose that what Dr. Yang presents is a theory lacking major substantiation based on the belief that the internal arts did not exist before Bodhidharma visited to Shaolin. I challenge Dr. Yang to explain where Bodhidharma came from, who he was and why he went to China.
Some argue Bodhidharma did not exist, however his name is recorded as a martial artist in India, associated with a temple. The purpose of this art was multifaceted, it allowed monks to defend the temple and themselves, but more importantly prepared them for their spiritual meditations. This is no different than the purpose of Shaolin martial art.
When the cup and robe went with Hui-Neng, the martial teachings did not. At this point in the history of Buddhism there was a major break between the martial art of Buddha and the teachings of Buddha, which before the break had been integrated. This is part of the very reason that when he received the transmission of the cup and robe Hui-Neng was told to flee for his life as that the other monks were likely to kill him.
I also know that these arts do not appear to have originated in India, but have passed through there.
I want to note that animal form play rather similar to that of Shaolin martial arts is found in the Indian martial art that Dao Mo was recorded to have practiced.
I find Dr. Yang to be a good scholar, however I believe that this subject is very complicated and that it has been tainted by ethnocentrism in the past.
The fact is that in every region where the Buddhist martial arts spread, it is claimed the descendant arts are original inventions of that region. These places include Java, Sri-lanka, Malaysia, and other places as well as China and India. The evidence against this however is overwhelming if you take the time to look and compare the martial arts of India, Asia, Northern Africa and Arabia. The evidence is also found in the texts, the histories and the religious art.
I plan on writing a book on this topic myself and have been putting a great deal of study into it. MY conclusion is that the tale of what was passed on at Shaolin simply does not add up when the larger picture is examined.